Barbados’ Grand Kadooment Band Houses Buzz with Activity as Crop Over Nears Apex

This disparity in numbers reflects the broader challenge faced by the Crop Over Festival in attracting and retaining participants. Layne suggested a need to engage schools to increase participation, highlighting a shared concern about the festival’s future.

The interplay between local production and imports was another hot topic. Vida by Esquire emphasised their commitment to local production, with Bajan ownership of most costume elements. Similarly, Kontact Band proudly stated that they are “about 98 per cent locally produced and owned by women”.

Zulu International’s general manager Star Knight admitted to a mix of local and imported elements, with feather work done locally but bodysuits imported. This blend of local craftsmanship and global sourcing seems to be the norm, as bands strive for quality, cost-efficiency, and support for local artisans.

Despite challenges, bands are finding innovative ways to enhance the on the road experience beyond costumes. Vida by Esquire is reintroducing live music to the road, aiming to “revitalise the

Kadooment landscape”. They have also partnered with Republic Bank to provide cooling stations, addressing the practical needs of revellers. Zulu International teased special surprises for their revellers, including a party bus and sno cone cart.

The global draw of Crop Over is evident in the growing presence of international groups as seen in Ashley Drakeford of Next Level Travel, a North Carolina-based company specialising in travel experiences for the black diaspora. Bringing a group of 63 people from the across the world, Drakeford’s experience highlighted the festival’s international appeal.

“I’ve been coming back to Barbados since 2016 to enjoy Crop Over,” Drakeford said. “One year I came with some people from my travel company, and we were like, ‘We have to bring people here’.” Her group’s decision to join Vida by Esquire this year was influenced by their impressive showing in the previous Crop Over season.

“Last year we saw Vida’s costumes, we saw their road experience, the goodies and we were like ‘oh, we’re missing out.’ So, we contacted Rian (band director) and the rest is history.”

Drakeford’s enthusiasm is palpable as she praised the band’s preparations. “Already it’s been 10 times better than what we experienced last year – very organised, the presentation is beautiful, and the communication has been great so we’re looking forward to it.”

This international interest is a bright spot for the festival, with bands like Aura Experience also reporting good support from both locals and internationals. The influx of visitors from the diaspora and beyond not only boosts the festival’s energy but also contributes significantly to Barbados’ tourism sector during the Crop Over season.

As the bands make their final preparations, one thing is certain: the road awaits, ready to be painted with the colours, sounds, and spirit of Barbados. (DS)

Diara Springer is on an internship programme at The Nation Publishing Co Limited.